《扶桑》获2018年中央美术学院百年优秀毕业创作三等奖。影片表现形式新颖，用超轻纸黏土为材料，在画板上“捏出”近似油画的笔触，捏完一副拍一帧，用这种跳动的笔触来呈现梵高的绘画质感。在视觉语言上尽量追求黑泽明先生的影像手法，尝试探讨黑泽明与梵高之间的艺术关系，在艺术语言、艺术传承、东西方文化碰撞方面作者都有独特地思考。
"Fu sang" was awarded the three prize of China Central Academy of Fine Arts in 2018. The film is a novel form of expression, with ultra-light paper clay as the material, on the board "pinch out" similar to the brush strokes of oil painting, kneaded a frame, with this bouncing brush strokes to show the texture of Van Gogh's painting. In the visual language, the author tries to pursue Mr. Akira Kurosawa's image technique, and tries to explore the artistic relationship between Akira Kurosawa and Van Gogh. The author has a unique thinking on artistic language, artistic inheritance and cultural collision between East and West.
本片改编自黑泽明电影《梦》中的一个片段，题目扶桑的本意是日本，也象征太阳升起的地方。通过梵高进入黑泽明的世界来用梵高的视角表现黑泽明对生命态度的看法， 当梵高看到黑泽明原来也是在自己的画中行走，于是更加坚定的想要追上黑泽明。天才是孤独的，如果通过某种方式遇到了能够惺惺相惜的人，可能对梵高来说会感到一丝欣慰。也希望此片能够不断的激励我在艺术的道路上要不断的追逐，永不停息。
The film is adapted from a segment of the Kurosawa film Dream. It shows Kurosawa's attitude towards life through Van Gogh's entry into Kurosawa's world. When Van Gogh sees that Kurosawa is also walking in his own painting, he is more determined to catch up with Kurosawa. Genius is lonely, and it may be a relief to Van Gogh to meet someone in some way who can feel sorry for each other. I also hope that this film can constantly inspire me to pursue constantly on the road of art and never cease.
